Journal of New Music Research

Published
In Search of Universal Properties of Musical Scales
Remembering, Recognizing and Describing Singers' Sound Identities
The Chameleon Guitar —Guitar with a Replaceable Resonator
Improved Score-performance Matching Using Both Structural and Temporal Information from MIDI Recordings
Evaluation of Features for Audio-to-Audio Alignment
Perceptual Evaluation of Inter-song Similarity in Western Popular Music
Published
Editorial Board
The Magaloff Project: An Interim Report
Improving Music Genre Classification Using Automatically Induced Harmony Rules
Investigating Music Collections at Different Scales with AudioDB
TempEst: Harpsichord Temperament Estimation in a Semantic Web Environment
Linked Data and You: Bringing Music Research Software into the Semantic Web
An Overview of Semantic Web Activities in the OMRAS2 Project
Towards a Distributed Research Environment for Music Informatics and Computational Musicology
Published
Schenkerian Analysis by Computer: A Proof of Concept
Investigating Music Pattern Formations from Heterogeneous Cellular Automata
Symbolic and Structural Representation of Melodic Expression
Automated Music Emotion Recognition: A Systematic Evaluation
Comparing Nontraditional Tetrachords and Pentachords: Both Set-class and Chord Voicing Guide Evaluations
Delayed Decision-making in Real-time Beatbox Percussion Classification
The Magnetic Resonator Piano: Electronic Augmentation of an Acoustic Grand Piano
JackTrip: Under the Hood of an Engine for Network Audio
Published
Exhibiting Popular Music: Museum Audiences, Inclusion and Social History
Experimenting with Fandom, Live Music, and the Internet: Applying Insights from Music Fan Culture to New Media Production
Attending Musical Performances: Teachers' and Students' Expectations and Experiences at a Youth Programme in Madrid
Teachers as Audiences: Exploring Educational and Musical Values in Youth Performances
Understanding Jazz Audiences: Listening and Learning at the Edinburgh Jazz and Blues Festival
New Audiences for Classical Music: The Experiences of Non-attenders at Live Orchestral Concerts
Understanding Audience Experience: Editorial
Published
A Multiple-F0 Estimation Approach Based on Gaussian Spectral Modelling for Polyphonic Music Transcription
Roughness Minimization Through Automatic Intonation Adjustments
Analysis of Pitch Perception of Inharmonicity in Pipa Strings Using Response Surface Methodology
Predicting Timbre Features of Instrument Sound Combinations: Application to Automatic Orchestration
Flexible Fusion of Relevance and Importance in Music Ranking
'Mister D.J., Cheer Me Up!': Musical and Textual Features for Automatic Mood Classification
The Role of Meter in Compositional Style in 19th Century French and German Art Song
Published
Toward an Action Based Metaphor for Gestural Interaction with Musical Contents
Ergotic Sounds: A New Way to Improve Playability, Believability and Presence of Virtual Musical Instruments
The Language of Action and Cyberaction-based Music: Theory and Practice
A Cross-modal Heuristic for Periodic Pattern Analysis of Samba Music and Dance
Sensor Choice for Parameter Modulations in Digital Musical Instruments: Empirical Evidence from Pitch Modulation
An Enactive Approach to the Preservation of Musical Instruments Reconstructing Russolo's Intonarumori
Supra-Instrumental Interactions and Gestures
Enaction and Music: Anticipating a New Alliance between Dynamic Instrumental Arts
The Past Through the Future: A Hypermedia Model for Handling the Information Stored in the Audio Documents
Modelling Tonal Attraction Between Adjacent Musical Elements
Detecting Solo Phrases in Music Using Spectral and Pitch-related Descriptors
Analysis, Visualization, and Transformation of Audio Signals Using Dictionary-based Methods
Published
Investigating the Role of Score Following in Automatic Musical Accompaniment
Phase-plane Representation and Visualization of Gestural Structure in Expressive Timing
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